|
Recent Additions
Budget Components Audacious Audio J. Gordon Holt
Loudspeakers
Amplification
Digital Sources
Analog Sources
Accessories Listening / Art Dudley The Fifth Element / John Marks Music in the Round / Kal Rubinson Fine Tunes / Jonathan Scull Special Features Reference Interviews Think Pieces Historical Recording of the Month Records 2 Die 4 Music/Recordings Stephen Mejias Robert Baird Fred Kaplan Wes Phillips Audio News Past eNewsletters CES 2010 RMAF 2009 SSI 2009 CES 2009 RMAF 2008 FSI 2008 CES 2008 RMAF 2007 CEDIA 2007 HE 2007 FSI 2007 CES 2007 China 2006 RMAF 2006 HFN 2006 CEDIA 2006 HE 2006 FSI 2006 CES 2006 Forums Galleries Vote Previous Votes AV Links Audiophile Societies Contact Us Customer Service New Subscription Digital Subscription Renew Give a Gift Sub Services Recordings Backissues More . . . Phono Preamp Hi-Fi Phono Cartridge Amplifiers Stereo Speakers |
Mono a Mano
We always make a point of visiting DeVore Fidelity's rooms because John DeVore always makes music come alive—and we are so down with that. This year, J-DeV was showing off The Nines ($6500/pair), which he described as a 2.5-way DeVore Fidelity Super 8 ($4000/pair) clone "that just kept getting better." The side firing 8" woofer begins to taper off "around 100Hz or so," DeVore explained. Very smooth—and very deep. "What's that?" I was pointing to EMT's JPA-66 Varia-Curve Full Function Preamp (price TBD). I was hypnotized by its VU meters, but Tone's Jonathan Helpern had something cooler to show me. "It takes four different phono inputs, different phono equalization curves, a scratch filter, and a subsonic filter. Are you guys ready for some mono?" Seconds later, we were listening to a 78rpm 10" single of Frankie Lyman. It sounded great. "Yeah," Halperin said, "and this was a jukebox copy, so it got played to bits. That scratch filter really works!" < Previous Post | Blog Home | Next Post >
Add Comment |
|

