|
Recent Additions
Budget Components Audacious Audio J. Gordon Holt
Loudspeakers
Amplification
Digital Sources
Analog Sources
Accessories Listening / Art Dudley The Fifth Element / John Marks Music in the Round / Kal Rubinson Fine Tunes / Jonathan Scull Special Features Reference Interviews Think Pieces Historical Recording of the Month Records 2 Die 4 Music/Recordings Stephen Mejias Robert Baird Fred Kaplan Wes Phillips Audio News Past eNewsletters RMAF 2009 SSI 2009 CES 2009 RMAF 2008 FSI 2008 CES 2008 RMAF 2007 CEDIA 2007 HE 2007 FSI 2007 CES 2007 China 2006 RMAF 2006 HFN 2006 CEDIA 2006 HE 2006 FSI 2006 CES 2006 Forums Galleries Vote Previous Votes AV Links Audiophile Societies Contact Us Customer Service New Subscription Digital Subscription Renew Give a Gift Sub Services Recordings Backissues More . . . Phono Preamp Hi-Fi Phono Cartridge Amplifiers Stereo Speakers |
Ayre's Mighty Mite Power Amplifiers
John Atkinson was speechless. Not merely speechless, but incoherent as well as inarticulate. "You have to go by the Ayre room," He gushed. "It was . . . it was . . . I mean . . . Ohhhhhh! You just have to go." So we took his, um, word for it. It was . . . it was . . . you really should have been there." What did us in was the combination of Ayre's spanking new reference loudspeakers, the incredible JBL K2 S9800se ($30,000/pair) and Ayre's new 300W MX-R mono power amplifiers (price TBA). Small the MX-Rs may be, but light they ain't—the chassis is milled out of a solid billet of aluminum and, as Steve Silberman put it, "the whole darn thing acts as a heat sink." The amp sports three paralleled transformers and operates in A/B—and it doubles its output into 4 ohms. I had them insert the Marvin Sewell Group's The Worker's Dance into the Ayre C-5xe player and that's when the words escaped me. I'll try anyway: The sound was open and driving and rhythmic and dynamic—very dynamic. It was . . . it was . . . you had to be there. I'm sure glad I was. We shall speak of this no more. < Previous Post | Blog Home | Next Post >
Add Comment |


